A Gauze of Misted Silver

Includes score and parts (string orchestra & harp)

A Gauze of Misted Silver takes its title from the Amy Lowell poem Venus Transiens. I try to capture some of the sepia-toned elegance of the poem, but the reference, however, goes deeper still. Each of the outer movements is a word-for-word setting of the text. The second movement stands in notable contrast to the other. Rather than a primarily melodic work, it is primary rhythmic, with overlapping ostinati forever evolving in complex patterns. The first draft of this movement used an African thumb piano formula. Although I later replaced it with an original pattern, it retains a similar sensibility. In the central section, the strings strum their instruments like guitars. The complexity of the rhythms gives the effect of a single guitar player standing in the old section of an island city, surrounded by stone walls. The echoes reflect back to create a complex, yet soothing counterpoint.

Venus Transiens
Tell me,
Was Venus more beautiful
Than you are,
When she topped
The crinkled waves,
Drifting shoreward
On her plaited shell?
Was Botticelli's vision
Fairer than mine;
And were the painted rosebuds
He tossed his lady,
Of better worth
Than the words I blow about you
To cover your too great loveliness
As with a gauze
Of misted silver?
For me,
You stand poised
In the blue and buoyant air,
Cinctured by bright winds,
Treading the sunlight.
And the waves which precede you
Ripple and stir
The sands at my feet.
-Amy Lowell

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